Website: http://www.michaelnyman.com
1. Questo cazzo voglio io
2. Fottiami anima mia
3. Io ‘l voglio in cul tu mi perdonerai
4. Tu pur a gambe in collo in cul me l’hai
5. Dammi la lingua
6. Et saria pur una coglioneria
7. Mettimi un dito in cul caro vecchione
8. Apri le coscie, accio ch’io veggia bene
Besetzung: Sopran, Klavier, 2 Violinen, Bratsche, Cello, Bassgitarre, 3 Saxophone, Horn, Trompete, Bassposaune
Besetzung: Zwei Soprane, Kontra-Alt, Tenor, Bariton, Orchester
Textdichter: Victoria Hardie
Bemerkung: Robert Worby, 2002: How do art, genetics, ethics and commercialism interact with each other? Facing Goya examines different aspects of this question from different historical and moral perspectives. The unifying focal point is the skull of the artist Goya, which was found to be missing when his coffin was opened a century after his death. https://www.wisemusicclassical.com/work/11870/Facing-Goya--Michael-Nyman/.
1. The Singing of the Names
2. Family Reflections
3. The 96
4. Memorial
Besetzung: Orchester, Mezzosopran, Chor
Bemerkung: Michael Nyman: The second movement is a transformed version of a rejected aria, ‘I now know you are my son’, from my opera ‘Facing Goya’ (2000). https://www.wisemusicclassical.com/work/49587/Symphony-No-11-Hillsborough-Memorial--Michael-Nyman/.
Verlag: Chester Music, London
Bemerkung: Nyman erstellte 1985 eine Orchesterversion zu dem Film „A Zed and Two Noughts“ von Peter Greenaway, in welchem die Bilder „Der Geograph“ und „Der Astronom“ von Jan Vermeer eine Rolle spielen. Siehe Grant Phipps: A Zed and Two Noughts. Peter Greenaway (2010): https://www.noripcord.com/reviews/film/a-zed-and-two-noughts.
This work is licensed under CC BY 4.0 Creative Commons Attribution 4.0 International
ao. Univ.-Prof. Dr. Monika Fink-Naumann
monika.fink@uibk.ac.at
Institut für Musikwissenschaft / Department of Musicology
Universität Innsbruck / University of Innsbruck
Haus der Musik
Universitätsstraße 1
A - 6020 Innsbruck