Website: https://sophielacaze.com
Bemerkung: Sophie Lacaze (2011): The work, in 5 movements, is inspired by 5 different paintings (Max Ernst, Guy Bompais, Dennis Nona, RenĂ© Magritte and Vincent Van Gogh) and a haiku by Yamaguchi SodĂŽ: " having contemplated the moon / my shadow went home / with me". https://www.australianmusiccentre.com.au/workversion/lacaze-sophie-apres-avoir-contemple-la-lune/26993. Der dritte Satz âLa lune en colĂšreâ, wurde nicht durch ein Bild, sondern durch eine Photographie von Guy Bompais inspiriert: https://www.radiofrance.fr/francemusique/podcasts/alla-breve-l-integrale/apres-avoir-contemple-la-lune-de-sophie-lacaze-diffusion-integrale-4512200.
Bemerkung: Het Lam Gods (2005) is written on the famous triptych âHet Lam Godsâ (The Mystic Lamb) by the Flemish painters Hubert and Jan van Eyck. [âŠ] In âHet Lam Godsâ, Sophie Lacaze gives a musical translation of the atmospheres created by the panels in the upper part of the triptych: Adam and Eve, the singing and musical angels, John the Baptist and Mary, and the central panel, God; then the lower part: the pilgrims, hermits, knights of Christ and equitable judges, and finally the Mystic Lamb: https://sophielacaze.com/het-lam-gods/.
Jan van Eyck: Genter Altarbild (Altarbild des mystischen Lammes), Polyptychon
Hubert van Eyck: Genter Altarbild (Altarbild des mystischen Lammes), Polyptychon
Jan van Eyck: Genter Altarbild (Altarbild des mystischen Lammes), Polyptychon
Hubert van Eyck: Genter Altarbild (Altarbild des mystischen Lammes), Polyptychon
Textdichter: Alain Carré
Bemerkung: âHet Lam Gods IIIâ is the third work the composer has written based on the famous altarpiece Het Lam Gods (The Ghent Altarpiece) by the Flemish painters Hubert and Jan Van Eyck. . [âŠ] The first part of the piece is dedicated to the upper register of the altarpiece, while the second focuses on the lower register: https://sophielacaze.com/het-lam-gods-iii/.
Jan van Eyck: Genter Altarbild (Altarbild des mystischen Lammes), Polyptychon
Hubert van Eyck: Genter Altarbild (Altarbild des mystischen Lammes), Polyptychon
Bemerkung: âHet Lam Gods IVâ is the fourth work that Sophie Lacaze wrote about the famous triptych « Het Lam Gods » (the Mystic Lamb) by the Flemish painters Hubert and Jan Van Eyck, [âŠ] In Het Lam Gods IV, the composer musically translates the static atmospheres, sometimes solemn and inspired, released by the panels of the upper part of the triptych: Adam and Eve, the singing and musician angels, John the Baptist and Mary, and finally the central panel, God, followed by the panels of the lower part: the pilgrims, hermits, knights of Christ, and just judges, and finally the Mystic Lamb: https://sophielacaze.com/het-lam-gods-iv/.
Jan van Eyck: Genter Altarbild (Altarbild des mystischen Lammes), Polyptychon
Hubert van Eyck: Genter Altarbild (Altarbild des mystischen Lammes), Polyptychon
This work is licensed under CC BY 4.0 Creative Commons Attribution 4.0 International
ao. Univ.-Prof. Dr. Monika Fink-Naumann
monika.fink@uibk.ac.at
Institut fĂŒr Musikwissenschaft / Department of Musicology
UniversitÀt Innsbruck / University of Innsbruck
Haus der Musik
UniversitĂ€tsstraĂe 1
A - 6020 Innsbruck