Besetzung: Violine
Verlag: Associated Music Publishers
Bemerkung: Aus der Munch Suite (15 Solo Pieces to 15 Paintings by Edvard Munch)
Bemerkung: Aaron Jay Kernis (1988) Experiencing the Byzantine mosaics in Ravenna, Italy, during 1984 caused a great deal of musical and emotional “soul searching” to take place for me. At the mosaics I had a series of vivid hallucinations which were brought on by their densely colored, fragmented surfaces. Initially I was overwhelmed, seeing only whirling, broken-up fields of color devoid of form or figuration. It was like being thrown into a room with a million flashing, multi-colored lights which completely overtook the senses. Only later was I able to piece together what I had seen into continuous shapes that had formal design and spiritual intent. I now see this visual experience as being symbolic of many of my emotional states of that time; since then my music has been driven by tumultuous, volatile, passionately charged emotions. This has caused me to create two other "Invisible Mosaics:” II, written in early 1988 for the Ensemble Intercontemporain in Paris, and III, written later that year for the American Composers Orchestra, which premiered at Carnegie Hall. https://www.wisemusicclassical.com/work/29536/Invisible-Mosaic-I--Aaron-Jay-Kernis/.
Bemerkung: siehe Anmerkung des Komponisten zu Invisible Mosaic I
This work is licensed under CC BY 4.0 Creative Commons Attribution 4.0 International
ao. Univ.-Prof. Dr. Monika Fink-Naumann
monika.fink@uibk.ac.at
Institut für Musikwissenschaft / Department of Musicology
Universität Innsbruck / University of Innsbruck
Haus der Musik
Universitätsstraße 1
A - 6020 Innsbruck