Bemerkung: Stephen Adams (2013): The starting point for this music was the late abstract paintings of Ian Fairweather and the exploration of the flute as a filter for the human voice…The music I ended up writing isn't based in any direct way on the Fairweather paintings. What it has retained is a focus on the layered, elusive yet tactile, and rather dry and papery soundworld that exists in the territory where flute-tone, voice, breath and the mechanisms of the instrument meet: https://www.australianmusiccentre.com.au/workversion/adams-stephen-overpainting/29078.
This work is licensed under CC BY 4.0 Creative Commons Attribution 4.0 International
ao. Univ.-Prof. Dr. Monika Fink-Naumann
monika.fink@uibk.ac.at
Institut für Musikwissenschaft / Department of Musicology
Universität Innsbruck / University of Innsbruck
Haus der Musik
Universitätsstraße 1
A - 6020 Innsbruck